0 votes and 0 Reviews
Rotten Tomatoes® Score 47%
33%
In Theaters: February 21, 2020 (limited)
On DVD/Blu-ray: May 5, 2020
R | 1h 44m | Comedy, Drama
Watch Trailer
The fast-fashion industry is skewered in this scathing farce about retail billionaire Sir Richard McCreadie (Steve Coogan). When it comes to light how McCreadie achieved his wealth and the grotesque inequality between himself and the female garment workers who toil on his trendy clothing line, things soon start to come undone. As McCreadie finds himself in court with his own reckoning upon him, he makes one last ditch effort to repair his image and standing in the public. He does so in the only way he knows how: by throwing a lavish party with excessive displays, funded by his own greed.
Director: Michael Winterbottom
Studio: Sony Pictures Classics
Producer(s): Damian Jones, Melissa Parmenter
Cast: Steve Coogan, David Mitchell, Asa Butterfield, Dinita Gohl, Sophie Cookson, Jonny Sweet, Asim Chaudhry, Shirley Henderson, Isla Fisher
Writer(s): Michael Winterbottom
0 votes and 0 Reviews
Rotten Tomatoes® Score 47%
33%
In Theaters: February 21, 2020 (limited)
On DVD/Blu-ray: May 5, 2020
R | 1h 44m | Comedy, Drama
Watch Trailer
The fast-fashion industry is skewered in this scathing farce about retail billionaire Sir Richard McCreadie (Steve Coogan). When it comes to light how McCreadie achieved his wealth and the grotesque inequality between himself and the female garment workers who toil on his trendy clothing line, things soon start to come undone. As McCreadie finds himself in court with his own reckoning upon him, he makes one last ditch effort to repair his image and standing in the public. He does so in the only way he knows how: by throwing a lavish party with excessive displays, funded by his own greed.
Rotten Tomatoes® Score 47%
33%
In Theaters: February 21, 2020 (limited)
On DVD/Blu-ray: May 5, 2020
R | 1h 44m | Comedy, Drama
The fast-fashion industry is skewered in this scathing farce about retail billionaire Sir Richard McCreadie (Steve Coogan). When it comes to light how McCreadie achieved his wealth and the grotesque inequality between himself and the female garment workers who toil on his trendy clothing line, things soon start to come undone.
As McCreadie finds himself in court with his own reckoning upon him, he makes one last ditch effort to repair his image and standing in the public. He does so in the only way he knows how: by throwing a lavish party with excessive displays, funded by his own greed.
